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SUIVI DE L’ETAT DE CONSERVATION ET ENTRETIEN DES COLLECTIONS PERMANENTES - TAPISSERIES GRAND FORMAT DU DEPARTEMENT DES OBJETS D’ART, COLLECTIONS XVE A XVIIE – DU MUSEE DU LOUVRE

AI summary

This tender concerns the monitoring, conservation, and maintenance of large-format tapestries from the 15th to 17th centuries held in the Department of Decorative Arts at the Louvre Museum. The contract covers condition assessments, preventive conservation measures, and ongoing care to preserve these significant historical collections.

#textile conservation#tapestries#louvre museum#decorative arts#preventive conservation#paris#cultural heritage
Fit for

Conservators or conservation firms specializing in textile and tapestry preservation with proven experience in museum-level collection care. International practitioners are welcome if they meet professional standards.

Key requirements

Suppliers must demonstrate expertise in textile conservation, particularly historical tapestries. They should provide evidence of previous work on comparable collections, conservation methodologies, and compliance with museum conservation standards.

Frequently asked questions

  • What is this tender about?

    This tender concerns the monitoring, conservation, and maintenance of large-format tapestries from the 15th to 17th centuries held in the Department of Decorative Arts at the Louvre Museum. The contract covers condition assessments, preventive conservation measures, and ongoing care to preserve these significant historical collections.

  • What are the requirements for suppliers?

    Suppliers must demonstrate expertise in textile conservation, particularly historical tapestries. They should provide evidence of previous work on comparable collections, conservation methodologies, and compliance with museum conservation standards.

  • What type of company should bid?

    Conservators or conservation firms specializing in textile and tapestry preservation with proven experience in museum-level collection care. International practitioners are welcome if they meet professional standards.

  • Who is the buyer?

    The buyer is MUSEE DU LOUVRE.

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